Red Fez (Witmark 1908)
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Cinderella (Witmark, 1908)
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Uncle Dudley (Witmark, 1908)
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Jolly Clowns (Witmark, 1908)
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The Teddy Bears Picnic (Witmark, 1908)
New Columbian Brass Band's recording of O'Hare's arrangement; posted to YouTube;
performance copyrighted New Columbian Brass Band, George Foreman, conductor.
Recordings available on amazon.com and elsewhere.
performance copyrighted New Columbian Brass Band, George Foreman, conductor.
Recordings available on amazon.com and elsewhere.
Dandelion Rag (Witmark, 1909, arranged for orchestra)
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Temptation Rag (Witmark, 1909, arranged for band) |
Pearl of Persia (Carl Fischer, 1909)
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Arthur Pryor's Band playing O'Hare's arrangement; posted to YouTube by Onkel Greifenklau
Charme d'Amour (Witmark 1909 & 1914)
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The Sky Flyer (Witmark, 1910)
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Charme d'Amour on Evans piano roll #2003; midi from IAMMP converted to mp3
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The Copyright renewal identifies J. B. Walter as a pseudonym of well-known composer John W. Bratton:
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Frisco Rag (Witmark, 1910)
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The Thoroughbred (Witmark, 1911)
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Roulette Reel (Witmark 1911) |
Note instructions for playing at different venues
Universal piano roll 96995 (1911)
Pirouette (Witmark 1911)
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Tokio Rag (Witmark, 1912)
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March Progressive (Witmark, 1912)
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Persian Princess (Witmark, 1912)
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The Chimes (Witmark, 1912)
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Mont Alto Motion Picture Orchestra recording provided by Rodney Sauer, Mont Alto director; performance copyrighted by Mont Alto.
Tango Land (Witmark, 1912)
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Pepper Pot (Witmark, 1913)
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Walk of the Fishes (Witmark, 1913)
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Here We Are Again: A Circus Trot (Witmark, 1914) |
Nori (Witmark,1914)
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Magic Love (Oliver Ditson, 1914)
Salute to the Colors (Theo. Presser, 1921)
O'Hare had already begun arranging music for school vocal ensembles and had composed and arranged one orchestral piece, especially for school orchestras--Colonia Overture (Oliver Ditson, 1917). Salute to the Flag is his school orchestra arrangement of a march by Bert R. Anthony, composer of salon and teaching pieces for piano.
Background image, top of page: Cover detail from The Story of the House of Witmark: From Ragtime to Swingtime